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"Popping up in Oostellingwerf" een kunstproject van Georgina Starr.
Popping up in Ooststellingwerf Sitting with a group of strangers in France - lost for words, the language barriers are up, it's all smiles and nods but the silence is painful. The group I'm with are standing looking at their toes and picking at the skin on their fingers. I have trouble swallowing my wine in case I choke and make a scene. Someone mentions music but the tape machine is in another place a few miles away - I know it's worth the trip. An hour later we're dancing, people are laughing, singing along, bodies are gyrating and someone's even attempting to moonwalk. It might sound like a cheesy scene from Fame, The Musical, but we're having a good time and we're definitely communicating better than before. Coming to Ooststellingwerf wasn't as painful as all that but the silence I found there as I cycled around alone for two weeks in July 1998 was sometimes quite similar, if not more sinister to me. When confronted with peace and quiet my reaction is that it either has to be broken or twisted in some way or that it's actually not a real silence but just a front for something beyond it which is much more strange. Cycling around I always had the fantasy that I'd be going through a quiet, deserted forest and then suddenly a whole lot of action would pop up in the landscape or that I'd come across a vibrating barn in the middle of a field of cows and open the door to find it full of people making music and singing and dancing. With these thoughts in mind I was directed to Sjouke Nauta at Friesland
Pop in Leeuwarden who helped me to discover that there was in actual fact
quite a big noise going on beyond the silence. During my next visit 8
months later I found myself in that barn in a field of cows listening
to the songs of Chocolate Moose a three piece band from Oosterwolde who
introduced me to their music, which they loosely describe as "Blues,
jazzy, rock, reggae, pop, ballads, everything !" and even allowed
me to sing along to a number I especially took a shine to. When I asked
what music meant to them though they seemed to have a pretty clear idea.
"If you listen to our songs," said Eric the bass player, "You'll
know what's going on in my life, we play with the feeling of that day
and my micis like a sort of shrink - a really cheap one !" Eric,
Wander and Kor of Chocolate Moose meet once a week in the barn in Haulerwjk
which they recently converted into a mini studio where them and other
bands can record demos. Unfortunately there's not much opportunity to
play gigs in Ooststellingwerf and I was told that only a few bars can
have live bands.
Alongside the bands I've already mentioned there's also Haunch of Venison who have written a song especially for the project called "Stellingwerf", Jacob Meinardi who was born in the region and remembers times when bands played 'psychedelic rock' in the hall of the hotel De Zon in Oosterwolde and has written a piece of music which was played for the project on the church organ in Oosterwolde by Arend Doorenheim, Netwurk a band initiated by Ger Bijzitter with a song he has written and sings in Frisian, local poet Fred Hoekstra who has written three new poems inspired by the area which are set to ambient music composed by Phil Mills, Kor Slofstra has written a song together with fellow member of the band Dandruff Bas S. about a local guy in Ooststellingwerf entitled "Arnolds House", and finally Killerbunny have made a techno track which is performed by Draaiorgel de Noorderkroon.
Georgina Starr, Ooststellingwerf, 1999
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